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・ Soundstage 18
・ SoundStorm
・ Soundstream
・ Soundstreams Canada
・ SoundsUP records
・ SoundsXP
・ Soundsystem (311 album)
・ Soundsystem 01
・ SoundTeMP
・ Soundtrack
・ Soundtrack '08
・ Soundtrack '96–'06
・ Soundtrack (Charles Lloyd album)
・ Soundtrack (disambiguation)
・ Soundtrack (film)
Soundtrack (Fullerton College Jazz Band album)
・ Soundtrack (Guy Barker album)
・ Soundtrack (Modern English album)
・ Soundtrack 90210
・ Soundtrack album
・ Soundtrack Beat Battle
・ Soundtrack Cologne
・ Soundtrack for a Generation
・ Soundtrack for a Revolution
・ Soundtrack for Scenario
・ Soundtrack for the Voices in My Head Vol. 01
・ Soundtrack for the Voices in My Head Vol. 02
・ Soundtrack for the Voices in My Head Vol. 03
・ Soundtrack From Twin Peaks
・ Soundtrack of the 80s


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Soundtrack (Fullerton College Jazz Band album) : ウィキペディア英語版
Soundtrack (Fullerton College Jazz Band album)

''Soundtrack'' is a CD released by the Fullerton College Jazz Bands and Vocal Jazz for the Discovery Records Trend AM-PM label.
== Background ==
In 1981 the Music Department at Fullerton College built a 16 track in house recording facility which was to serve as a teaching tool for both student music groups and students wanting to take recording technology classes at a vocational level. ''Soundtrack'' is the sixth of several albums to come out of this studio to feature the award winning Fullerton College Jazz Band. The CD contains tracks from two of the Fullerton College jazz groups: Jazz Band I and Vocal Jazz. The #1 jazz band was the winner of the 1985 International Association for Jazz Education Disneyworld Competition and the opening band for the 1985 Playboy Jazz Festival and the LP/CD recordings to date are recipients of numerous Down Beat and NARAS Awards.〔''Soundtrack'' liner notes and credits〕

Albert Marx, who was the owner of Discovery Records/Trend Records AM-PM label, became very impressed with the band four years earlier and the level of the music coming from the jazz groups at Fullerton College.〔liner notes from 1983/84 ''Time Tripping'' LP〕 He decided to support the younger, up and coming jazz students/players from the greater Los Angeles/Southern California region by producing certain LPs and CDs.

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